Global Movies and Entertainment Market to Reach US$110.7 Billion by 2030
The global market for Movies and Entertainment estimated at US$86.3 Billion in the year 2024, is expected to reach US$110.7 Billion by 2030, growing at a CAGR of 4.2% over the analysis period 2024-2030. Movies, one of the segments analyzed in the report, is expected to record a 4.0% CAGR and reach US$63.1 Billion by the end of the analysis period. Growth in the Music & Video segment is estimated at 4.5% CAGR over the analysis period.
The U.S. Market is Estimated at US$22.7 Billion While China is Forecast to Grow at 6.6% CAGR
The Movies and Entertainment market in the U.S. is estimated at US$22.7 Billion in the year 2024. China, the world`s second largest economy, is forecast to reach a projected market size of US$23.8 Billion by the year 2030 trailing a CAGR of 6.6% over the analysis period 2024-2030. Among the other noteworthy geographic markets are Japan and Canada, each forecast to grow at a CAGR of 2.5% and 3.2% respectively over the analysis period. Within Europe, Germany is forecast to grow at approximately 3.1% CAGR.
Global Movies and Entertainment Market - Key Trends and Drivers Summarized
The movies and entertainment industry encompasses film production, distribution, exhibition, streaming services, music, live performances, and other media. Over the years, the industry has undergone significant transformation, primarily driven by technological advancements, changing consumer preferences, and the proliferation of digital platforms. While traditional cinema remains popular, streaming services have revolutionized content consumption, allowing viewers to access movies and shows on-demand from the comfort of their homes. The rise of high-quality production tools and affordable distribution options has also democratized content creation, enabling independent filmmakers and smaller studios to compete with established production houses. The COVID-19 pandemic accelerated the shift towards digital content consumption, as cinema closures led to increased subscriptions to streaming platforms like Netflix, Disney+, and Amazon Prime Video. This transition is fostering the growth of new content formats, such as interactive films and virtual reality experiences. Additionally, the industry`s revenue model is evolving from purely ticket sales to a mix of subscriptions, advertising, pay-per-view, and merchandise sales, broadening the revenue stream for production companies and distribution networks.
Several key trends are shaping the movies and entertainment market, including the surge in streaming services, the rise of direct-to-digital releases, and increasing investments in content diversity. With the expansion of streaming platforms, more content is being produced, targeting niche audiences and underserved markets. The success of localized content in non-English languages, for instance, indicates the increasing value placed on catering to diverse cultural preferences. This trend has also pushed studios to invest heavily in original programming to differentiate themselves in a competitive streaming environment. Furthermore, direct-to-digital releases have become a viable option for studios to generate revenue without the constraints of theatrical releases. Major film studios have embraced hybrid distribution models, launching new films simultaneously in theaters and on streaming platforms. Another trend influencing the market is the rapid adoption of immersive technologies, such as augmented reality (AR) and virtual reality (VR), which are enhancing viewer engagement by creating interactive storytelling experiences. This evolution is redefining the way content is consumed and produced.
The movies and entertainment industry is segmented into various categories, including film production, distribution, streaming services, and live performances. Each segment has unique drivers and challenges. Film production encompasses the creation of content, where budgets can range from micro-budget independent films to big-budget studio blockbusters. Distribution channels, which include theaters, streaming services, and broadcast networks, are undergoing a shift towards digital-first models. Streaming services, in particular, have emerged as the largest segment due to their ability to offer diverse content, convenient access, and flexible pricing models. The live performance segment, which includes theater, music concerts, and other events, is experiencing a revival as pandemic restrictions ease. However, it is now augmented with virtual and hybrid events, which extend the reach of performances to global audiences. Regionally, North America remains the largest market, driven by Hollywood’s influence and the proliferation of streaming services, while Asia-Pacific is witnessing rapid growth due to increasing content production and rising consumer spending on entertainment.
The growth in the movies and entertainment market is driven by several factors, including the increasing popularity of streaming platforms, technological advancements, and rising global demand for diverse content. Streaming services have transformed content distribution, offering convenience and a vast content library, thus attracting millions of subscribers. Technological innovations such as AI in content recommendation algorithms, high-definition filming equipment, and immersive technologies like AR/VR are enhancing the content creation and viewing experience. Additionally, the increasing appetite for diverse and localized content is encouraging studios to invest in new projects catering to different cultural tastes and preferences.
SCOPE OF STUDY:TARIFF IMPACT FACTOR
Our new release incorporates impact of tariffs on geographical markets as we predict a shift in competitiveness of companies based on HQ country, manufacturing base, exports and imports (finished goods and OEM). This intricate and multifaceted market reality will impact competitors by artificially increasing the COGS, reducing profitability, reconfiguring supply chains, amongst other micro and macro market dynamics.
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We expect this chaos to play out over the next 2-3 months and a new world order is established with more clarity. We are tracking these developments on a real time basis.
As we release this report, U.S. Trade Representatives are pushing their counterparts in 183 countries for an early closure to bilateral tariff negotiations. Most of the major trading partners also have initiated trade agreements with other key trading nations, outside of those in the works with the United States. We are tracking such secondary fallouts as supply chains shift.
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APRIL 2025: NEGOTIATION PHASE
Our April release addresses the impact of tariffs on the overall global market and presents market adjustments by geography. Our trajectories are based on historic data and evolving market impacting factors.
JULY 2025 FINAL TARIFF RESET
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