Market Overview
According to DIResearch＇s in-depth investigation and research, the global Copyright Music market size will reach 8,427.42 Million USD in 2025 and is projected to reach 12,976.06 Million USD by 2032, with a CAGR of 6.36% (2025-2032). Notably, the China Copyright Music market has changed rapidly in the past few years. By 2025, China＇s market size is expected to be Million USD, representing approximately % of the global market share.
Research Summary
Copyright music refers to musical works that are protected by copyright laws. When a composer, songwriter, or musician creates an original piece of music, they automatically hold the copyright to that work, which grants them exclusive rights to control its use, distribution, reproduction, and public performance. Copyright protection ensures that the creator can financially benefit from their work and have control over how it is used by others. In most countries, copyright protection for music lasts for the lifetime of the creator plus a certain number of years after their death. During this period, anyone wishing to use the copyrighted music for commercial purposes, public performances, or distribution must obtain proper authorization, usually through licensing agreements or by paying royalties to the copyright holder. Copyright music plays a vital role in protecting the rights of musicians and fostering creativity by providing an incentive for artists to continue creating new and original music.
The major global suppliers of Copyright Music include Tencent Music, NetEase Cloud Music, Sony Music, Universal Music, Warner Music, Taihe Music, Rock Records, MODERN SKY, HIM International Music, Fenghua Qiushi, etc. The global players competition landscape in this report is divided into three tiers. The first tier comprises global leading enterprises that command a substantial market share, hold a dominant industry position, possess strong competitiveness and influence, and generate significant revenue. The second tier includes companies with a notable market presence and reputation; these firms actively follow industry leaders in product, service, or technological innovation and maintain a moderate revenue scale. The third tier consists of smaller companies with limited market share and lower brand recognition, primarily focused on local markets and generating comparatively lower revenue.
This report studies the market size, price trends and future development prospects of Copyright Music. Focus on analysing the market share, product portfolio, prices, sales, revenue and gross profit margin of global major suppliers, as well as the market status and trends of different product types and applications in the global Copyright Music market. The report data covers historical data from 2020 to 2024, based year in 2025 and forecast data from 2026 to 2032.
The regions and countries in the report include US, Germany, Japan, China, France, UK, South Korea, Canada, Italy, Russia, Mexico, Brazil, India, Vietnam, Thailand, South Africa and other regions, covering the Copyright Music market conditions and future development trends of key regions and countries, combined with industry-related policies and the latest technological developments, analyze the development characteristics of Copyright Music industries in various regions and countries, help companies understand the development characteristics of each region, help companies formulate business strategies, and achieve the ultimate goal of the company's global development strategy.
The data sources of this report mainly include the National Bureau of Statistics, customs databases, industry associations, corporate financial reports, third-party databases, etc. Among them, macroeconomic data mainly comes from the National Bureau of Statistics, International Economic Research Organization; industry statistical data mainly come from industry associations; company data mainly comes from interviews, public information collection, third-party reliable databases, and price data mainly comes from various markets monitoring database.
Global Key Suppliers of Copyright Music Include:
Tencent Music
NetEase Cloud Music
Sony Music
Universal Music
Warner Music
Taihe Music
Rock Records
MODERN SKY
HIM International Music
Fenghua Qiushi
Copyright Music Product Segment Include:
Record Company
Music Producers and Studios
Copyright Agent
Copyright Regulatory Department
Copyright Music Product Application Include:
Personal
Business
Chapter Scope
Chapter 1: Product Research Range, Product Types and Applications, Market Overview, Market Situation and Trend
Chapter 2: Global Copyright Music Industry PESTEL Analysis
Chapter 3: Global Copyright Music Industry Porter's Five Forces Analysis
Chapter 4: Global Copyright Music Major Regional Market Size (Revenue) and Forecast Analysis
Chapter 5: Global Copyright Music Competitive Analysis of Key Suppliers (Revenue, Market Share, Regional Distribution and Industry Concentration)
Chapter 6: Global Copyright Music Revenue and Forecast Analysis by Product Type
Chapter 7: Key Company Profiles (Product Portfolio, Revenue and Gross Margin)
Chapter 8: Industrial Chain Analysis, Copyright Music Different Application Market Analysis (Revenue and Forecast) and Sales Channel Analysis
Chapter 9: Research Findings and Conclusion
Chapter 10: Methodology and Data Sources
- 1 Copyright Music Market Overview
- 1.1 Product Definition and Statistical Scope
- 1.2 Copyright Music Product by Type
- 1.2.1 Record Company
- 1.2.2 Music Producers and Studios
- 1.2.3 Copyright Agent
- 1.2.4 Copyright Regulatory Department
- 1.3 Copyright Music Product by Application
- 1.3.1 Personal
- 1.3.2 Business
- 1.4 Global Copyright Music Market Size Analysis (2020-2032)
- 1.5 Copyright Music Market Development Status and Trends
- 1.5.1 Copyright Music Industry Development Status Analysis
- 1.5.2 Copyright Music Industry Development Trends Analysis
- 2 Copyright Music Market PESTEL Analysis
- 2.1 Political Factors Analysis
- 2.2 Economic Factors Analysis
- 2.3 Social Factors Analysis
- 2.4 Technological Factors Analysis
- 2.5 Environmental Factors Analysis
- 2.6 Legal Factors Analysis
- 3 Copyright Music Market Porter's Five Forces Analysis
- 3.1 Competitive Rivalry
- 3.2 Threat of New Entrants
- 3.3 Bargaining Power of Suppliers
- 3.4 Bargaining Power of Buyers
- 3.5 Threat of Substitutes
- 4 Global Copyright Music Market Analysis by Country
- 4.1 Global Copyright Music Market Size Analysis by Country: 2024 VS 2025 VS 2032
- 4.1.1 Global Copyright Music Revenue Analysis by Country (2020-2025)
- 4.1.2 Global Copyright Music Revenue Forecast Analysis by Country (2026-2032)
- 4.2 United States Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.3 Germany Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.4 Japan Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.5 China Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.6 France Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.7 U.K. Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.8 South Korea Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.9 Canada Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.10 Italy Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.11 Russia Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.12 Mexico Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.13 Brazil Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.14 India Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.15 Vietnam Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.16 Thailand Copyright Music Market Revenue and Growth Rate (2020-2032)
- 4.17 South Africa Copyright Music Market Revenue and Growth Rate (2020-2032)
- 5 Competition by Suppliers
- 5.1 Global Copyright Music Market Revenue by Key Suppliers (2021-2025)
- 5.2 Copyright Music Competitive Landscape Analysis and Market Dynamic
- 5.2.1 Copyright Music Competitive Landscape Analysis
- 5.2.2 Global Key Suppliers Headquarter and Key Area Sales
- 5.2.3 Market Dynamic
- 6 Copyright Music Market Analysis by Type
- 6.1 Global Copyright Music Market Size Analysis by Type: 2024 VS 2025 VS 2032
- 6.2 Global Copyright Music Revenue and Forecast Analysis by Type (2020-2032)
- 7 Key Companies Analysis
- 7.1 Tencent Music
- 7.1.1 Tencent Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
- 7.1.2 Tencent Music Copyright Music Product Portfolio
- 7.1.3 Tencent Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
- 7.2 NetEase Cloud Music
- 7.2.1 NetEase Cloud Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
- 7.2.2 NetEase Cloud Music Copyright Music Product Portfolio
- 7.2.3 NetEase Cloud Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
- 7.3 Sony Music
- 7.3.1 Sony Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
- 7.3.2 Sony Music Copyright Music Product Portfolio
- 7.3.3 Sony Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
- 7.4 Universal Music
- 7.4.1 Universal Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
- 7.4.2 Universal Music Copyright Music Product Portfolio
- 7.4.3 Universal Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
- 7.5 Warner Music
- 7.5.1 Warner Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
- 7.5.2 Warner Music Copyright Music Product Portfolio
- 7.5.3 Warner Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
- 7.6 Taihe Music
- 7.6.1 Taihe Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
- 7.6.2 Taihe Music Copyright Music Product Portfolio
- 7.6.3 Taihe Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
- 7.7 Rock Records
- 7.7.1 Rock Records Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
- 7.7.2 Rock Records Copyright Music Product Portfolio
- 7.7.3 Rock Records Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
- 7.8 MODERN SKY
- 7.8.1 MODERN SKY Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
- 7.8.2 MODERN SKY Copyright Music Product Portfolio
- 7.8.3 MODERN SKY Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
- 7.9 HIM International Music
- 7.9.1 HIM International Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
- 7.9.2 HIM International Music Copyright Music Product Portfolio
- 7.9.3 HIM International Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
- 7.10 Fenghua Qiushi
- 7.10.1 Fenghua Qiushi Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
- 7.10.2 Fenghua Qiushi Copyright Music Product Portfolio
- 7.10.3 Fenghua Qiushi Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
- 8 Industry Chain Analysis
- 8.1 Copyright Music Industry Chain Analysis
- 8.2 Copyright Music Product Downstream Application Analysis
- 8.2.1 Global Copyright Music Market Size and Growth Rate (CAGR) by Application: 2024 VS 2025 VS 2032
- 8.2.2 Global Copyright Music Revenue and Forecast by Application (2020-2032)
- 8.3 Copyright Music Typical Downstream Customers
- 8.4 Copyright Music Sales Channel Analysis
- 9 Research Findings and Conclusion
- 10 Methodology and Data Source
- 10.1 Methodology/Research Approach
- 10.2 Research Scope
- 10.3 Benchmarks and Assumptions
- 10.4 Date Source
- 10.4.1 Primary Sources
- 10.4.2 Secondary Sources
- 10.5 Data Cross Validation
- 10.6 Disclaimer
Research Assistance
Learn how to effectively navigate the market research process to help guide your organization on the journey to success.
Download eBook