K-pop Events Market By Type (Rock, Jazz, Pop, Others), By Revenue Source (Tickets, Sponserships, Others), By Gender (Male, Female): Global Opportunity Analysis and Industry Forecast, 2022-2031

K-pop Events Market By Type (Rock, Jazz, Pop, Others), By Revenue Source (Tickets, Sponserships, Others), By Gender (Male, Female): Global Opportunity Analysis and Industry Forecast, 2022-2031


The global k-pop events market was valued at $8.1 billion in 2021, and is projected to reach $20 billion by 2031, growing at a CAGR of 7.3% from 2022 to 2031.Several distinct Korean musical genres and aspects fall under the banner of K-pop. It also includes Korean rock, hip-hop, and electronic music in addition to Korean pop music. K-pop is regarded as a relatively new genre of music. According to financial statistics released in 2021, well-known K-pop companies saw a strong increase in their overseas revenues in the first half of the year as the number and power of fans who are stationed abroad increased to the point where they may influence local music charts.

Any special event featuring Korean pop musical performances—including singing and playing instruments—is referred to as a K-pop event. These events are typically themed around different musical genres, locations where the musicians are from, and nationalities. Popular examples of music events include music performances, concerts, and music festivals. The K-pop event market scope includes segmentation based on type, revenue source, gender, and region for analytical purposes.

The government's increased investments in infrastructure development and connectivity are also anticipated to have a significant impact on the market for K-pop concerts. The governments of the emerging nations in the Middle East, Africa, and Asia-Pacific are making investments in the construction of roads, trains, and other forms of connection. Also, when 5G technology becomes more widely used, more people will use digital platforms to purchase tickets, place food orders, and reserve hotel rooms at music events.

These developments will significantly boost music tourism and facilitate the overall development of the K-pop events industry. Music tourism is an upcoming trend in emerging markets such as Asia-Pacific. However, privacy and data security concerns associated with use of online platforms or online ticket vendors is a major challenge.

Organizing a K-pop event involves multiple expenses, which include on-site expenses, venue costs, event rentals, and production expenses. On-site expenditures involve fees and cost charged by the event venue, which incur more cost. In addition, venue cost includes security deposit, room rental, insurance coverage, and parking. Another major cost involved in organizing a K-pop event is the production cost, involving expense of organizing the event, management of administrative elements, and attracting attendees. Thus, high operational cost involved in organizing music events is a key factor that hampers the growth of the global K-pop event market.

The K-pop events market is segmented into type, revenue source, gender, and region. By type, the market is divided into rock, jazz, pop, and others. Depending on the gender, it is divided into male and female. By revenue source, the market is divided into tickets, sponsorships, and others. Region wise, it is analyzed across North America, Europe, Asia-Pacific, and LAMEA.

The report highlights numerous factors that influence the growth of the global music event market. This report further outlines the current trends and key areas of investment. In addition, it includes Porter’s five forces analysis to understand the competitive scenario of the industry and role of each stakeholder. The report features the strategies adopted by key market players to maintain their foothold in the market. Furthermore, it highlights the competitive landscape of the key market players to increase their market share and sustain intense competition in the industry.

The key players analyzed in the report are Live Company Group plc., PK-UK Events Limited, SubKulture Entertainment, Filmmaster Group, CJ Co., Ltd., JYP Entertainment Co. Ltd, SM Entertainment Group, YG Entertainment Inc., Eventbrite, Inc., and HYBE Co., Ltd.

The government's increased investments in infrastructure development and connectivity are also anticipated to have a significant impact on the market for music events. The governments of the emerging nations in the Middle East, Africa, and Asia-Pacific are making investments in the construction of roads, trains, and other forms of connection.

K-pop Events Market Segments

By Type

Rock
Jazz
Pop
Others

By Revenue Source

Tickets

By Sub-type
Online
Offline
Sponsorships
Others

By Gender

Male
Female

By Region

North America
U.S.
Canada
Mexico
Europe
Germany
France
UK
Italy
Spain
Netherlands
Rest of Europe
Asia-Pacific
Japan
China
South Korea
India
Australia
Rest of Asia-Pacific
LAMEA
Brazil
Argentina
South Africa
Rest of LAMEA

KEY MARKET PLAYERS PROFILED IN THE REPORT

FILMMASTER GROUP
EVENTBRITE, INC.
LIVE COMPANY GROUP PLC.
SUBKULTURE ENTERTAINMENT
SM ENTERTAINMENT GROUP
JYP ENTERTAINMENT CO. LTD
YG ENTERTAINMENT INC.
HYBE CO., LTD.
PK-UK EVENTS LIMITED
CJ CO., LTD.

Key Benefits For Stakeholders

This report provides a quantitative analysis of the market segments, current trends, estimations, and dynamics of the k-pop events market analysis from 2021 to 2031 to identify the prevailing k-pop events market opportunities.
The market research is offered along with information related to key drivers, restraints, and opportunities.
Porter's five forces analysis highlights the potency of buyers and suppliers to enable stakeholders make profit-oriented business decisions and strengthen their supplier-buyer network.
In-depth analysis of the k-pop events market segmentation assists to determine the prevailing market opportunities.
Major countries in each region are mapped according to their revenue contribution to the global market.
Market player positioning facilitates benchmarking and provides a clear understanding of the present position of the market players.
The report includes the analysis of the regional as well as global k-pop events market trends, key players, market segments, application areas, and market growth strategies.

Key Market Segments

By Type

Rock
Jazz
Pop
Others

By Revenue Source

Tickets
Sub-type
Online
Offline
Sponserships
Others

By Gender

Male
Female

By Region

North America
U.S.
Canada
Mexico
Europe
Germany
France
UK
Italy
Spain
Netherlands
Rest of Europe
Asia-Pacific
Japan
China
South Korea
India
Australia
Rest of Asia-Pacific
LAMEA
Brazil
Argentina
South Africa
Rest of LAMEA
Key Market Players
CJ Co., Ltd.
Eventbrite, Inc.
Filmmaster Group
HYBE Co., Ltd.
JYP Entertainment Co. Ltd
Live Company Group plc.
PK-UK Events Limited
SM Entertainment Group
SubKulture Entertainment
YG Entertainment Inc.

Please Note: It will take 7-10 business days to complete the report upon order confirmation.


CHAPTER 1: INTRODUCTION
1.1. Report description
1.2. Key market segments
1.3. Key benefits to the stakeholders
1.4. Research Methodology
1.4.1. Primary research
1.4.2. Secondary research
1.4.3. Analyst tools and models
CHAPTER 2: EXECUTIVE SUMMARY
2.1. CXO Perspective
CHAPTER 3: MARKET OVERVIEW
3.1. Market definition and scope
3.2. Key findings
3.2.1. Top impacting factors
3.2.2. Top investment pockets
3.3. Porter’s five forces analysis
3.3.1. Low bargaining power of suppliers
3.3.2. Low threat of new entrants
3.3.3. Low threat of substitutes
3.3.4. Low intensity of rivalry
3.3.5. Low bargaining power of buyers
3.4. Market dynamics
3.4.1. Drivers
3.4.1.1. Growing interest of consumers toward live music
3.4.1.2. Growing popularity of music tourism
3.4.2. Restraints
3.4.2.1. Government policies pertaining to data protection
3.4.2.2. High operational cost
3.4.3. Opportunities
3.4.3.1. Growth in m-commerce
3.4.3.2. Growing infrastructural developments
3.5. COVID-19 Impact Analysis on the market
3.6. Market Share Analysis
CHAPTER 4: K-POP EVENTS MARKET, BY TYPE
4.1. Overview
4.1.1. Market size and forecast
4.2. Rock
4.2.1. Key market trends, growth factors and opportunities
4.2.2. Market size and forecast, by region
4.2.3. Market share analysis by country
4.3. Jazz
4.3.1. Key market trends, growth factors and opportunities
4.3.2. Market size and forecast, by region
4.3.3. Market share analysis by country
4.4. Pop
4.4.1. Key market trends, growth factors and opportunities
4.4.2. Market size and forecast, by region
4.4.3. Market share analysis by country
4.5. Others
4.5.1. Key market trends, growth factors and opportunities
4.5.2. Market size and forecast, by region
4.5.3. Market share analysis by country
CHAPTER 5: K-POP EVENTS MARKET, BY REVENUE SOURCE
5.1. Overview
5.1.1. Market size and forecast
5.2. Tickets
5.2.1. Key market trends, growth factors and opportunities
5.2.2. Market size and forecast, by region
5.2.3. Market share analysis by country
5.2.4. Tickets K-pop Events Market by Sub-type
5.2.4.1. Online Market size and forecast, by region
5.2.4.2. Offline Market size and forecast, by region
5.3. Sponserships
5.3.1. Key market trends, growth factors and opportunities
5.3.2. Market size and forecast, by region
5.3.3. Market share analysis by country
5.4. Others
5.4.1. Key market trends, growth factors and opportunities
5.4.2. Market size and forecast, by region
5.4.3. Market share analysis by country
CHAPTER 6: K-POP EVENTS MARKET, BY GENDER
6.1. Overview
6.1.1. Market size and forecast
6.2. Male
6.2.1. Key market trends, growth factors and opportunities
6.2.2. Market size and forecast, by region
6.2.3. Market share analysis by country
6.3. Female
6.3.1. Key market trends, growth factors and opportunities
6.3.2. Market size and forecast, by region
6.3.3. Market share analysis by country
CHAPTER 7: K-POP EVENTS MARKET, BY REGION
7.1. Overview
7.1.1. Market size and forecast By Region
7.2. North America
7.2.1. Key trends and opportunities
7.2.2. Market size and forecast, by Type
7.2.3. Market size and forecast, by Revenue Source
7.2.3.1. North America Tickets K-pop Events Market by Sub-type
7.2.4. Market size and forecast, by Gender
7.2.5. Market size and forecast, by country
7.2.5.1. U.S.
7.2.5.1.1. Key market trends, growth factors and opportunities
7.2.5.1.2. Market size and forecast, by Type
7.2.5.1.3. Market size and forecast, by Revenue Source
7.2.5.1.4. Market size and forecast, by Gender
7.2.5.2. Canada
7.2.5.2.1. Key market trends, growth factors and opportunities
7.2.5.2.2. Market size and forecast, by Type
7.2.5.2.3. Market size and forecast, by Revenue Source
7.2.5.2.4. Market size and forecast, by Gender
7.2.5.3. Mexico
7.2.5.3.1. Key market trends, growth factors and opportunities
7.2.5.3.2. Market size and forecast, by Type
7.2.5.3.3. Market size and forecast, by Revenue Source
7.2.5.3.4. Market size and forecast, by Gender
7.3. Europe
7.3.1. Key trends and opportunities
7.3.2. Market size and forecast, by Type
7.3.3. Market size and forecast, by Revenue Source
7.3.3.1. Europe Tickets K-pop Events Market by Sub-type
7.3.4. Market size and forecast, by Gender
7.3.5. Market size and forecast, by country
7.3.5.1. Germany
7.3.5.1.1. Key market trends, growth factors and opportunities
7.3.5.1.2. Market size and forecast, by Type
7.3.5.1.3. Market size and forecast, by Revenue Source
7.3.5.1.4. Market size and forecast, by Gender
7.3.5.2. France
7.3.5.2.1. Key market trends, growth factors and opportunities
7.3.5.2.2. Market size and forecast, by Type
7.3.5.2.3. Market size and forecast, by Revenue Source
7.3.5.2.4. Market size and forecast, by Gender
7.3.5.3. UK
7.3.5.3.1. Key market trends, growth factors and opportunities
7.3.5.3.2. Market size and forecast, by Type
7.3.5.3.3. Market size and forecast, by Revenue Source
7.3.5.3.4. Market size and forecast, by Gender
7.3.5.4. Italy
7.3.5.4.1. Key market trends, growth factors and opportunities
7.3.5.4.2. Market size and forecast, by Type
7.3.5.4.3. Market size and forecast, by Revenue Source
7.3.5.4.4. Market size and forecast, by Gender
7.3.5.5. Spain
7.3.5.5.1. Key market trends, growth factors and opportunities
7.3.5.5.2. Market size and forecast, by Type
7.3.5.5.3. Market size and forecast, by Revenue Source
7.3.5.5.4. Market size and forecast, by Gender
7.3.5.6. Netherlands
7.3.5.6.1. Key market trends, growth factors and opportunities
7.3.5.6.2. Market size and forecast, by Type
7.3.5.6.3. Market size and forecast, by Revenue Source
7.3.5.6.4. Market size and forecast, by Gender
7.3.5.7. Rest of Europe
7.3.5.7.1. Key market trends, growth factors and opportunities
7.3.5.7.2. Market size and forecast, by Type
7.3.5.7.3. Market size and forecast, by Revenue Source
7.3.5.7.4. Market size and forecast, by Gender
7.4. Asia-Pacific
7.4.1. Key trends and opportunities
7.4.2. Market size and forecast, by Type
7.4.3. Market size and forecast, by Revenue Source
7.4.3.1. Asia-Pacific Tickets K-pop Events Market by Sub-type
7.4.4. Market size and forecast, by Gender
7.4.5. Market size and forecast, by country
7.4.5.1. Japan
7.4.5.1.1. Key market trends, growth factors and opportunities
7.4.5.1.2. Market size and forecast, by Type
7.4.5.1.3. Market size and forecast, by Revenue Source
7.4.5.1.4. Market size and forecast, by Gender
7.4.5.2. China
7.4.5.2.1. Key market trends, growth factors and opportunities
7.4.5.2.2. Market size and forecast, by Type
7.4.5.2.3. Market size and forecast, by Revenue Source
7.4.5.2.4. Market size and forecast, by Gender
7.4.5.3. South Korea
7.4.5.3.1. Key market trends, growth factors and opportunities
7.4.5.3.2. Market size and forecast, by Type
7.4.5.3.3. Market size and forecast, by Revenue Source
7.4.5.3.4. Market size and forecast, by Gender
7.4.5.4. India
7.4.5.4.1. Key market trends, growth factors and opportunities
7.4.5.4.2. Market size and forecast, by Type
7.4.5.4.3. Market size and forecast, by Revenue Source
7.4.5.4.4. Market size and forecast, by Gender
7.4.5.5. Australia
7.4.5.5.1. Key market trends, growth factors and opportunities
7.4.5.5.2. Market size and forecast, by Type
7.4.5.5.3. Market size and forecast, by Revenue Source
7.4.5.5.4. Market size and forecast, by Gender
7.4.5.6. Rest of Asia-Pacific
7.4.5.6.1. Key market trends, growth factors and opportunities
7.4.5.6.2. Market size and forecast, by Type
7.4.5.6.3. Market size and forecast, by Revenue Source
7.4.5.6.4. Market size and forecast, by Gender
7.5. LAMEA
7.5.1. Key trends and opportunities
7.5.2. Market size and forecast, by Type
7.5.3. Market size and forecast, by Revenue Source
7.5.3.1. LAMEA Tickets K-pop Events Market by Sub-type
7.5.4. Market size and forecast, by Gender
7.5.5. Market size and forecast, by country
7.5.5.1. Brazil
7.5.5.1.1. Key market trends, growth factors and opportunities
7.5.5.1.2. Market size and forecast, by Type
7.5.5.1.3. Market size and forecast, by Revenue Source
7.5.5.1.4. Market size and forecast, by Gender
7.5.5.2. Argentina
7.5.5.2.1. Key market trends, growth factors and opportunities
7.5.5.2.2. Market size and forecast, by Type
7.5.5.2.3. Market size and forecast, by Revenue Source
7.5.5.2.4. Market size and forecast, by Gender
7.5.5.3. South Africa
7.5.5.3.1. Key market trends, growth factors and opportunities
7.5.5.3.2. Market size and forecast, by Type
7.5.5.3.3. Market size and forecast, by Revenue Source
7.5.5.3.4. Market size and forecast, by Gender
7.5.5.4. Rest of LAMEA
7.5.5.4.1. Key market trends, growth factors and opportunities
7.5.5.4.2. Market size and forecast, by Type
7.5.5.4.3. Market size and forecast, by Revenue Source
7.5.5.4.4. Market size and forecast, by Gender
CHAPTER 8: COMPETITIVE LANDSCAPE
8.1. Introduction
8.2. Top winning strategies
8.3. Product Mapping of Top 10 Player
8.4. Competitive Dashboard
8.5. Competitive Heatmap
8.6. Top player positioning, 2021
CHAPTER 9: COMPANY PROFILES
9.1. Filmmaster Group
9.1.1. Company overview
9.1.2. Key Executives
9.1.3. Company snapshot
9.1.4. Operating business segments
9.1.5. Product portfolio
9.2. Eventbrite, Inc.
9.2.1. Company overview
9.2.2. Key Executives
9.2.3. Company snapshot
9.2.4. Operating business segments
9.2.5. Product portfolio
9.2.6. Business performance
9.2.7. Key strategic moves and developments
9.3. Live Company Group plc.
9.3.1. Company overview
9.3.2. Key Executives
9.3.3. Company snapshot
9.3.4. Operating business segments
9.3.5. Product portfolio
9.3.6. Business performance
9.4. SubKulture Entertainment
9.4.1. Company overview
9.4.2. Key Executives
9.4.3. Company snapshot
9.4.4. Operating business segments
9.4.5. Product portfolio
9.5. SM Entertainment Group
9.5.1. Company overview
9.5.2. Key Executives
9.5.3. Company snapshot
9.5.4. Operating business segments
9.5.5. Product portfolio
9.5.6. Business performance
9.5.7. Key strategic moves and developments
9.6. JYP Entertainment Co. Ltd
9.6.1. Company overview
9.6.2. Key Executives
9.6.3. Company snapshot
9.6.4. Operating business segments
9.6.5. Product portfolio
9.6.6. Business performance
9.6.7. Key strategic moves and developments
9.7. YG Entertainment Inc.
9.7.1. Company overview
9.7.2. Key Executives
9.7.3. Company snapshot
9.7.4. Operating business segments
9.7.5. Product portfolio
9.7.6. Business performance
9.7.7. Key strategic moves and developments
9.8. HYBE Co., Ltd.
9.8.1. Company overview
9.8.2. Key Executives
9.8.3. Company snapshot
9.8.4. Operating business segments
9.8.5. Product portfolio
9.8.6. Business performance
9.8.7. Key strategic moves and developments
9.9. PK-UK Events Limited
9.9.1. Company overview
9.9.2. Key Executives
9.9.3. Company snapshot
9.9.4. Operating business segments
9.9.5. Product portfolio
9.10. CJ Co., Ltd.
9.10.1. Company overview
9.10.2. Key Executives
9.10.3. Company snapshot
9.10.4. Operating business segments
9.10.5. Product portfolio
9.10.6. Business performance
9.10.7. Key strategic moves and developments
LIST OF TABLES
TABLE 01. GLOBAL K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 02. K-POP EVENTS MARKET FOR ROCK, BY REGION, 2021-2031 ($MILLION)
TABLE 03. K-POP EVENTS MARKET FOR JAZZ, BY REGION, 2021-2031 ($MILLION)
TABLE 04. K-POP EVENTS MARKET FOR POP, BY REGION, 2021-2031 ($MILLION)
TABLE 05. K-POP EVENTS MARKET FOR OTHERS, BY REGION, 2021-2031 ($MILLION)
TABLE 06. GLOBAL K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 07. K-POP EVENTS MARKET FOR TICKETS, BY REGION, 2021-2031 ($MILLION)
TABLE 08. GLOBAL TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)
TABLE 09. K-POP EVENTS MARKET FOR ONLINE, BY REGION, 2021-2031 ($MILLION)
TABLE 10. K-POP EVENTS MARKET FOR OFFLINE, BY REGION, 2021-2031 ($MILLION)
TABLE 11. K-POP EVENTS MARKET FOR SPONSERSHIPS, BY REGION, 2021-2031 ($MILLION)
TABLE 12. K-POP EVENTS MARKET FOR OTHERS, BY REGION, 2021-2031 ($MILLION)
TABLE 13. GLOBAL K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 14. K-POP EVENTS MARKET FOR MALE, BY REGION, 2021-2031 ($MILLION)
TABLE 15. K-POP EVENTS MARKET FOR FEMALE, BY REGION, 2021-2031 ($MILLION)
TABLE 16. K-POP EVENTS MARKET, BY REGION, 2021-2031 ($MILLION)
TABLE 17. NORTH AMERICA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 18. NORTH AMERICA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 19. NORTH AMERICA TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)
TABLE 20. NORTH AMERICA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 21. NORTH AMERICA K-POP EVENTS MARKET, BY COUNTRY, 2021-2031 ($MILLION)
TABLE 22. U.S. K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 23. U.S. K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 24. U.S. K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 25. CANADA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 26. CANADA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 27. CANADA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 28. MEXICO K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 29. MEXICO K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 30. MEXICO K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 31. EUROPE K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 32. EUROPE K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 33. EUROPE TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)
TABLE 34. EUROPE K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 35. EUROPE K-POP EVENTS MARKET, BY COUNTRY, 2021-2031 ($MILLION)
TABLE 36. GERMANY K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 37. GERMANY K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 38. GERMANY K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 39. FRANCE K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 40. FRANCE K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 41. FRANCE K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 42. UK K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 43. UK K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 44. UK K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 45. ITALY K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 46. ITALY K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 47. ITALY K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 48. SPAIN K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 49. SPAIN K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 50. SPAIN K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 51. NETHERLANDS K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 52. NETHERLANDS K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 53. NETHERLANDS K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 54. REST OF EUROPE K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 55. REST OF EUROPE K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 56. REST OF EUROPE K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 57. ASIA-PACIFIC K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 58. ASIA-PACIFIC K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 59. ASIA-PACIFIC TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)
TABLE 60. ASIA-PACIFIC K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 61. ASIA-PACIFIC K-POP EVENTS MARKET, BY COUNTRY, 2021-2031 ($MILLION)
TABLE 62. JAPAN K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 63. JAPAN K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 64. JAPAN K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 65. CHINA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 66. CHINA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 67. CHINA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 68. SOUTH KOREA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 69. SOUTH KOREA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 70. SOUTH KOREA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 71. INDIA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 72. INDIA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 73. INDIA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 74. AUSTRALIA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 75. AUSTRALIA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 76. AUSTRALIA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 77. REST OF ASIA-PACIFIC K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 78. REST OF ASIA-PACIFIC K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 79. REST OF ASIA-PACIFIC K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 80. LAMEA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 81. LAMEA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 82. LAMEA TICKETS K-POP EVENTS MARKET, BY SUB-TYPE, 2021-2031 ($MILLION)
TABLE 83. LAMEA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 84. LAMEA K-POP EVENTS MARKET, BY COUNTRY, 2021-2031 ($MILLION)
TABLE 85. BRAZIL K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 86. BRAZIL K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 87. BRAZIL K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 88. ARGENTINA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 89. ARGENTINA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 90. ARGENTINA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 91. SOUTH AFRICA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 92. SOUTH AFRICA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 93. SOUTH AFRICA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 94. REST OF LAMEA K-POP EVENTS MARKET, BY TYPE, 2021-2031 ($MILLION)
TABLE 95. REST OF LAMEA K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021-2031 ($MILLION)
TABLE 96. REST OF LAMEA K-POP EVENTS MARKET, BY GENDER, 2021-2031 ($MILLION)
TABLE 97. FILMMASTER GROUP: KEY EXECUTIVES
TABLE 98. FILMMASTER GROUP: COMPANY SNAPSHOT
TABLE 99. FILMMASTER GROUP: SERVICE SEGMENTS
TABLE 100. FILMMASTER GROUP: PRODUCT PORTFOLIO
TABLE 101. EVENTBRITE, INC.: KEY EXECUTIVES
TABLE 102. EVENTBRITE, INC.: COMPANY SNAPSHOT
TABLE 103. EVENTBRITE, INC.: SERVICE SEGMENTS
TABLE 104. EVENTBRITE, INC.: PRODUCT PORTFOLIO
TABLE 105. EVENTBRITE, INC.: KEY STRATERGIES
TABLE 106. LIVE COMPANY GROUP PLC.: KEY EXECUTIVES
TABLE 107. LIVE COMPANY GROUP PLC.: COMPANY SNAPSHOT
TABLE 108. LIVE COMPANY GROUP PLC.: SERVICE SEGMENTS
TABLE 109. LIVE COMPANY GROUP PLC.: PRODUCT PORTFOLIO
TABLE 110. SUBKULTURE ENTERTAINMENT: KEY EXECUTIVES
TABLE 111. SUBKULTURE ENTERTAINMENT: COMPANY SNAPSHOT
TABLE 112. SUBKULTURE ENTERTAINMENT: SERVICE SEGMENTS
TABLE 113. SUBKULTURE ENTERTAINMENT: PRODUCT PORTFOLIO
TABLE 114. SM ENTERTAINMENT GROUP: KEY EXECUTIVES
TABLE 115. SM ENTERTAINMENT GROUP: COMPANY SNAPSHOT
TABLE 116. SM ENTERTAINMENT GROUP: SERVICE SEGMENTS
TABLE 117. SM ENTERTAINMENT GROUP: PRODUCT PORTFOLIO
TABLE 118. SM ENTERTAINMENT GROUP: KEY STRATERGIES
TABLE 119. JYP ENTERTAINMENT CO. LTD: KEY EXECUTIVES
TABLE 120. JYP ENTERTAINMENT CO. LTD: COMPANY SNAPSHOT
TABLE 121. JYP ENTERTAINMENT CO. LTD: SERVICE SEGMENTS
TABLE 122. JYP ENTERTAINMENT CO. LTD: PRODUCT PORTFOLIO
TABLE 123. JYP ENTERTAINMENT CO. LTD: KEY STRATERGIES
TABLE 124. YG ENTERTAINMENT INC.: KEY EXECUTIVES
TABLE 125. YG ENTERTAINMENT INC.: COMPANY SNAPSHOT
TABLE 126. YG ENTERTAINMENT INC.: SERVICE SEGMENTS
TABLE 127. YG ENTERTAINMENT INC.: PRODUCT PORTFOLIO
TABLE 128. YG ENTERTAINMENT INC.: KEY STRATERGIES
TABLE 129. HYBE CO., LTD.: KEY EXECUTIVES
TABLE 130. HYBE CO., LTD.: COMPANY SNAPSHOT
TABLE 131. HYBE CO., LTD.: SERVICE SEGMENTS
TABLE 132. HYBE CO., LTD.: PRODUCT PORTFOLIO
TABLE 133. HYBE CO., LTD.: KEY STRATERGIES
TABLE 134. PK-UK EVENTS LIMITED: KEY EXECUTIVES
TABLE 135. PK-UK EVENTS LIMITED: COMPANY SNAPSHOT
TABLE 136. PK-UK EVENTS LIMITED: SERVICE SEGMENTS
TABLE 137. PK-UK EVENTS LIMITED: PRODUCT PORTFOLIO
TABLE 138. CJ CO., LTD.: KEY EXECUTIVES
TABLE 139. CJ CO., LTD.: COMPANY SNAPSHOT
TABLE 140. CJ CO., LTD.: PRODUCT SEGMENTS
TABLE 141. CJ CO., LTD.: SERVICE SEGMENTS
TABLE 142. CJ CO., LTD.: PRODUCT PORTFOLIO
TABLE 143. CJ CO., LTD.: KEY STRATERGIES
LIST OF FIGURES
FIGURE 01. K-POP EVENTS MARKET, 2021-2031
FIGURE 02. SEGMENTATION OF K-POP EVENTS MARKET, 2021-2031
FIGURE 03. TOP INVESTMENT POCKETS IN K-POP EVENTS MARKET (2022-2031)
FIGURE 04. LOW BARGAINING POWER OF SUPPLIERS
FIGURE 05. LOW THREAT OF NEW ENTRANTS
FIGURE 06. LOW THREAT OF SUBSTITUTES
FIGURE 07. LOW INTENSITY OF RIVALRY
FIGURE 08. LOW BARGAINING POWER OF BUYERS
FIGURE 09. DRIVERS, RESTRAINTS AND OPPORTUNITIES: GLOBALK-POP EVENTS MARKET
FIGURE 09. K-POP EVENTS MARKET, BY TYPE, 2021(%)
FIGURE 10. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR ROCK, BY COUNTRY 2021 AND 2031(%)
FIGURE 11. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR JAZZ, BY COUNTRY 2021 AND 2031(%)
FIGURE 12. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR POP, BY COUNTRY 2021 AND 2031(%)
FIGURE 13. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR OTHERS, BY COUNTRY 2021 AND 2031(%)
FIGURE 14. K-POP EVENTS MARKET, BY REVENUE SOURCE, 2021(%)
FIGURE 15. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR TICKETS, BY COUNTRY 2021 AND 2031(%)
FIGURE 16. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR SPONSERSHIPS, BY COUNTRY 2021 AND 2031(%)
FIGURE 17. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR OTHERS, BY COUNTRY 2021 AND 2031(%)
FIGURE 18. K-POP EVENTS MARKET, BY GENDER, 2021(%)
FIGURE 19. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR MALE, BY COUNTRY 2021 AND 2031(%)
FIGURE 20. COMPARATIVE SHARE ANALYSIS OF K-POP EVENTS MARKET FOR FEMALE, BY COUNTRY 2021 AND 2031(%)
FIGURE 21. K-POP EVENTS MARKET BY REGION, 2021
FIGURE 22. U.S. K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 23. CANADA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 24. MEXICO K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 25. GERMANY K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 26. FRANCE K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 27. UK K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 28. ITALY K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 29. SPAIN K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 30. NETHERLANDS K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 31. REST OF EUROPE K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 32. JAPAN K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 33. CHINA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 34. SOUTH KOREA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 35. INDIA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 36. AUSTRALIA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 37. REST OF ASIA-PACIFIC K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 38. BRAZIL K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 39. ARGENTINA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 40. SOUTH AFRICA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 41. REST OF LAMEA K-POP EVENTS MARKET, 2021-2031 ($MILLION)
FIGURE 42. TOP WINNING STRATEGIES, BY YEAR
FIGURE 43. TOP WINNING STRATEGIES, BY DEVELOPMENT
FIGURE 44. TOP WINNING STRATEGIES, BY COMPANY
FIGURE 45. PRODUCT MAPPING OF TOP 10 PLAYERS
FIGURE 46. COMPETITIVE DASHBOARD
FIGURE 47. COMPETITIVE HEATMAP: K-POP EVENTS MARKET
FIGURE 48. TOP PLAYER POSITIONING, 2021
FIGURE 49. EVENTBRITE, INC.: NET SALES, 2020-2022 ($MILLION)
FIGURE 50. EVENTBRITE, INC.: REVENUE SHARE BY REGION, 2022 (%)
FIGURE 51. LIVE COMPANY GROUP PLC.: NET SALES, 2019-2021 ($MILLION)
FIGURE 52. LIVE COMPANY GROUP PLC.: REVENUE SHARE BY SEGMENT, 2021 (%)
FIGURE 53. LIVE COMPANY GROUP PLC.: REVENUE SHARE BY REGION, 2021 (%)
FIGURE 54. SM ENTERTAINMENT GROUP: RESEARCH & DEVELOPMENT EXPENDITURE, 2019-2021 ($MILLION)
FIGURE 55. JYP ENTERTAINMENT CO. LTD: NET REVENUE, 2019-2021 ($MILLION)
FIGURE 56. YG ENTERTAINMENT INC.: NET REVENUE, 2021-2022 ($MILLION)
FIGURE 57. HYBE CO., LTD.: NET SALES, 2019-2021 ($MILLION)
FIGURE 58. CJ CO., LTD.: NET REVENUE, 2019-2021 ($MILLION)
FIGURE 59. CJ CO., LTD.: REVENUE SHARE BY SEGMENT, 2021 (%)

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