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Published by: Mintel International Group Ltd.
Published: Feb. 1, 2008 - 91 Pages
Table of Contents
- Issues in the Market
- Main issues
- Definition
- Abbreviations
- Market in Brief
- Radio targets ‘Third Space’
- Two beneficial triangles: Mobile-MP3-radio, ‘hear-like-buy’
- The DAB debate
- Brand extension: long-term fixture or digital battering ram?
- The new digital divide
- Switch off from work, switch off from radio
- MP3 diverts youth
- The Trojan horse of new technology
- Radio online: threats and opportunities
- Increased competition hits commercial sector
- Internal Market Environment
- Key points
- Interest in radio
- Figure 1: Radio listening, 2003-07
- Listening habits
- Figure 2: Radio listening trends, 2003-07
- Figure 3: Average weekday reach of radio and television, by daypart, Q2 2007
- Platform proliferation: radio’s ‘third age’
- Figure 4: Digital platform shares, 2007
- Figure 5: Devices used to listen to radio, June 2007
- Podcasting
- Demand for radio on portable devices
- Figure 6: Interest in media on portable devices, February-June 2007
- Mobile phones
- Figure 7: Listening to radio via mobile phone, 2002-07
- MP3 players
- Figure 8: Use of MP3 players for podcast listening, 2006-07
- UK goes digital
- Figure 9: Ownership of DAB radios at home, 2004-07
- The end of analogue?
- Switch-off consumer-led
- Not all thumbs up for digital
- Figure 10: BBC digital station reach, 2006-07
- Technological convergence, brand divergence
- Figure 11: Method of listening to music nowadays, July 2007
- Broader Market Environment
- Key points
- Population structure
- Figure 12: Trends in the age structure of the UK population, by gender, 2002-12
- Socio-economic structure
- Figure 13: Forecast adult population trends, by socio-economic group, 2002-12
- Employment
- PC ownership
- Figure 14: Household ownership of PCs, 2003-07
- Portable device ownership
- Mobile phones
- Figure 15: Mobile phone ownership, 2003-07
- MP3 players
- Figure 16: MP3 player ownership, 2003-07
- Figure 17: MP3 player ownership among music consumers, 2005-07
- Figure 18: MP3 player ownership, by demographic 2005-07
- Internet penetration
- Figure 19: British Internet penetration at home/work/place of study or elsewhere, 2001-07
- Methods of buying music
- Figure 20: Value sales of pre-recorded music, 2004-06
- Figure 21: Attitudes towards downloading music to mobile phones, 2006 and 2007
- Consumer mobility
- Figure 22: Average hours per week spent travelling, by mode of transport, 2003-07
- Competitive Context
- Key points
- Internal competition
- The commercial sector vs the BBC
- Channel 4 enters the fray
- BBC facing reduced resources
- Commercial sector networks for success
- External competition
- Figure 23: Entertainment habits, 2003-07
- Internet poses greater direct threat to television
-
but opens the door to a new breed of radio competitors
- MP3 stalks 4x4
- Competition for advertisers
- Figure 24: Total UK adspend, by medium, 2004-06
- Strengths and Weaknesses in the Market
- Strengths
- Penetration rates
- Opportunities of new platforms
- Versatility
- Cost
- Positive consumer attitudes
- Weaknesses
- Losing touch with teens
- Listening habits are hard to change
- Funding
- New platforms pose new threats
- Digital costs
- Market Size and Forecast
- Key points
- Listeners spoiled for choice
- Figure 25: Radio listening, quarter 3, 2002-12
- Figure 26: Hours of radio listening, quarter 3, 2002-07
- Radio forced to look beyond the spot
- Figure 27: Commercial radio revenues, 2002-07
- The future: More choice, more competition
- More words from our sponsors
- Switch-off the trigger for take-off?
- Segment Performance
- Key points
- No break for commercial radio
- Figure 28: Radio listening, BBC and commercial broadcasters, 2002-07
- National stations gain ground
- Figure 29: Radio listening, national and regional stations, 2002-07
- Danger of digital cannibalism
- Figure 30: Digital listening, 2007
- Market Share
- Key points
- BBC retains dominant position
- Figure 31: Radio market share of listening hours, 2002-07
- Global eyes top spot
- Figure 32: Commercial radio group share of listening hours, 2004-07
- Known brands give head start in digital space
- Figure 33: Reach of digital-only radio stations, 2007
- Figure 34: Digital-only radio stations’ listening hours, 2006-07
- Brand Communication and Promotion
- Key points
- Fluctuating adspend is campaign-led
- Figure 35: Adspend by leading radio broadcasters, 2003-07
- Cross-group promotion gains currency
- Above-the-line still the main route to the mass market
- Below-the-line activity builds station brands
- Branding
- Event marketing
- Companies and Products
- Key points
- Industry keen on consolidation
- Bauer Radio
- Figure 36: Emap Radio financials, 2005-06-2006-07
- BBC Radio
- Figure 37: BBC Radio, average 15-minute reach, 2004-05-2006-07
- Licence fee disappointment
- Figure 36: BBC licence fee distribution, 2006-07
- GCap Media
- Figure 38: GCap Media plc financials, 2005-06-2006-07*
- Global Radio
- Figure 39: Chrysalis Radio financials, 2005-06-2006-07
- GMG Radio
- Figure 40: GMG Radio financials, 2005-06-2006-07
- SMG
- Figure 41: SMG radio financials, 2006-07 (first half only)
- Radio Listening Habits
- Key points
- How often do consumers tune in?
- Figure 63: Frequency of listening to the radio, December 2007
- Who listens?
- Changing listening habits?
- Figure 64: More or less radio listening, compared with two years ago, December 2007
- Who’s tuning in, who’s tuning out?
- Listeners’ Choice of Platforms
- Key points
- How are consumers tuning in?
- Figure 65: Radio listening platforms, December 2007
- Who’s on what platform?
- Infrequent listeners show interactive potential
- Figure 66: Radio listening platforms, by frequency of listening to the radio, December 2007
- New platforms the driver for increased listening
- Figure 67: Radio listening platforms, by whether listen more or less than two years ago, December 2007
- Analogue and DAB the ‘primary’ platforms
- Figure 68: Combinations of radio listening platforms, December 2007
- Appendix - Radio Listening Habits
- Who listens?
- Figure 78: Frequency of listening to the radio, by demographic sub-group, December 2007
- Who’s tuning in, who’s tuning out?
- Figure 79: More or less radio listening, compared with two years ago, by demographic sub-group, December 2007
- Appendix - Listeners’ Choice of Platforms
- Who’s on what platform?
- Figure 80: Radio listening platforms, by demographic sub-group, December 2007
- Appendix - Attitudes Towards Radio
- Attitudes to radio by demographics
- Figure 81: Agreement with most popular statements about radio listening, by demographic sub-group, December 2007
- Figure 82: Agreement with next most popular statements about radio listening, by demographic sub-group, December 2007
- Appendix - Radio Target Groups
- Radio Target Groups - Detailed Demographics
- Figure 83: Radio target groups, by demographic sub-group, December 2007
AbstractThe UK radio industry is approaching a crossroads: it has more platforms available to it than ever before, meaning it faces more opportunities and more threats and some difficult and far-reaching decisions over its future direction.
Digital broadcasting is already beginning to change in-home listening patterns, but radio also has real potential to engage consumers in the potentially lucrative out-of-home ‘Third Space’ and is well-placed to take a central position on the converged mobile devices of the future. On the other side of the coin, new digital technologies are exposing it to new levels of competition from new sources, while it must also adapt to wider changes in media consumption patterns.
This report assesses how radio is approaching these challenges and opportunities by examining and testing the hypothesis that: “the emergence of new radio platforms is changing fundamentally the way consumers engage and interact with the medium, but is not yet attracting new listeners to the extent that was hoped.”
Key themes:
- How are radio listening habits changing with the growth of digital radio and an increasing variety of listening platforms?
- Is radio listening becoming more interactive?
- How is radio competing with other entertainment media?
- How effectively does the radio industry promote itself?
- How is the structure of the industry changing?
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