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Designer Clothing - UK

Published by: Mintel International Group Ltd.

Published: Aug. 1, 2006 - 97 Pages


Table of Contents


INTRODUCTION AND ABBREVIATIONS


Summary of main trends

Main themes of the report

Hypothesis:

Definitions

Consumer research

ACORN

Advertising data


ABBREVIATIONS




EXECUTIVE SUMMARY

Selectively extravagant driving market

Clothing sector ‘figure of 8’ - buoyant at the top and bottom

Diffusion lines

Democratisation of designer goods

Increased differentiation

Something different - smaller designer labels

Future growth looks rosy




MARKET DRIVERS


PDI and consumer expenditure


Figure 1: PDI and consumer expenditure at constant prices, 2000-06


Consumers are more choosy - selective extravagance

Clothing prices generally down, but designerwear up

Fashion trends drivers

Consumer attitudes towards fashion are changing


Figure 2: Agreement with selected lifestyle statements, by gender, 2001-05



SOCIO-ECONOMIC STATUS



Figure 3: Socio-economic status, by gender and socio-economic group, 2001-06


More AB workers are good for designer market


Looking well-dressed

Keeping up with the latest fashions


Population


Figure 4: UK population, demographic changes, by age, 2001-06


Population and the adult market


An increase in the number of 15-24-year-olds

A decline in 25-34s

An increase in over-55s acting ten year younger



OTHER FACTORS


Rise of Pre-Collections


Influence of celebrities


A new breed of female consumer wanting purist fashion

Consumer awareness of eco/ethical issues

Counterfeiting and parallel trading

High-street interpretations

Global travellers


POPULATION AND THE CHILDRENSWEAR MARKET


Designer babywear potential

Kids are fashion-aware younger


APPENDIX


TGI

Looking well-dressed


Figure 5: Agreement with the statement ‘It is important to me to look well dressed’, men, by age and socioeconomicgroup, 2001-05


Figure 6: Agreement with the statement ‘It is important to me to look well dressed’, women, by age andsocio-economic group, 2001-05


Keeping up with the latest fashions


Figure 7: Agreement with the statement ‘I like to keep up with the latest fashions’, men, by age and socioeconomicgroup, 2001-05


Figure 8: Agreement with the statement ‘I like to keep up with the latest fashions’, women, by age andsocio-economic group, 2001-05


Designer labels


Figure 9: Agreement with the statement ‘A designer label improves a person’s image’, men, by age andsocio-economic group, 2001-05


Figure 10: Agreement with the statement ‘A designer label improves a person’s image’, women, by age andsocio-economic group, 2001-05





MARKET SIZE


Clothing retail sales trends

Clothing retailers - 2005/06


Figure 11: Consumer spending on men’s and women’s garments (outer and underwear), 2001-05


Clothing market overview


DESIGNER MARKET


Early part of decade patchy


Figure 12: Spending on men’s and women’s designerwear (outer and underwear), 2001-05


2005 buoyant

Need for ‘must-have’ factor in selective extravagance

‘Because I’m worth it’

New top-end menswear customers

Limited is desirable - and reaches mainstream

Children’s and baby designerwear


Figure 13: Consumer spending on childrenswear total (outer and underwear) and childrenswear designersales, 2001-05


Influences on designer childrenswear

Gender differences

Fashion-conscious teens need the right environment




MARKET SEGMENTATION


Figure 14: Consumer spending on women’s and men’s designerwear, 2000-05




THE SUPPLY STRUCTURE


Overview


Figure 15: Corporate ownership of designer brands, 2006


Aeffe Fashion Group

Armani Group

Burberry


Chav association

Future plans


Calvin Klein (Phillips-Van Heusen/Warnaco Group)

Chanel

Christian Dior


Galliano launches diffusion


Dolce & Gabbana

Gucci Group


Designer changes

Alexander McQueen expands and launches McQ diffusion

Stella has been growing and may go eco

Balenciaga breaks even and stages major exhibition in Paris


LVMH


Donna Karan improves

Celine expands

New creative momentum at Kenzo

Marc Jacobs to open in London

Matthew Williamson to develop Pucci


Paul Smith

Prada

Ralph Lauren

Moving upmarket

Sports associations

Tommy Hilfiger


More control, and celebrity link-ups

Recovery and growth strategy


Valentino Fashion Group: Hugo Boss & Valentino

Versace

Vivienne Westwood


OTHER DESIGNERS


Figure 16: Smaller designer clothing companies, 2005


MENSWEAR SPECIALIST DESIGNERS


Ozwald Boateng

Richard James

Timothy Everest

Retail partnerships with designers


Debenhams


Figure 17: Designers at Debenhams collections, 2006






ADVERTISING AND PROMOTION

Designer spending up

Above-the-line essential to support designer labels

Womenswear takes most

CK targets men

Hey big spenders

Celebrity


Figure 18: Main monitored media spend, by selected main designer clothing company, 2003-05




DISTRIBUTION


Figure 19: UK retail value sales of total designerwear (men's and women's), by outlet type, 2001-05


MEN’S AND WOMEN’S DESIGNERWEAR


High street

Department stores

Discount factory outlets declining

Internet growing slowly

Childrenswear




THE CONSUMER - PRODUCT PURCHASING


Figure 20: Items of designer clothing purchased in the last 12 months, March 2006


Democratisation of the designerwear market

‘Masstige’ brands


Figure 21: Purchasing of any item of designer clothing by socio-economic status and ACORN catgeory,March 2006


15-19 consumers are key purchasers


Figure 22: Purchasing propsenity of any item of designer clothing, by gender and age, March 2006


Men vs women

Other points of interest

CHAID analysis


Figure 23: CHAID analysis on items of designer clothing purchased, March 2006


Men more likely to buy designerwear

Designer goods have lower appeal to women




THE CONSUMER - PURCHASING MOTIVATIONS


Figure 26: Purchasing motivations for designer clothing, March 2006


Designerwear as a self-reward

Tribal label or true differentiation?


Figure 27: Purchasing designer clothing as an essential wardrobe item and purchasing as a treat, May 2006


Designerwear as key pieces

Popularity of designer clothing for luxury gifts


Figure 28: Motivations for purchasing/receiving designer clothing, by age, May 2006


Men more likely to consider designerwear as essential


Figure 29: Motivations for purchasing/receiving designer clothing, by gender, May 2006


Men vs women

Other findings




DETAILED DEMOGRAPHICS


Figure 34: Purchasing motivations for designer clothing, by detailed demographics, March 2006


Figure 35: Attitudes towards designer clothing, by detailed demographics, March 2006


Figure 36: Attitudes towards designer clothing, by detailed demographics, March 2006




THE FUTURE

Market drivers

Economic growth


Figure 37: Projected changes in UK population by age, 2006-11


Figure 38: Projected number of men and women by socio-economic status, 2006-11




FORECAST

Breaking the £2 billion barrier


Figure 39: Forecast of consumer spending on women’s and men’s designerwear, 2006-11


Figure 40: Indexed growth of women’s and men’s designerwear, 2001-11 (forecast)


Factors incorporated in the forecast




APPENDIX: RESEARCH METHODOLOGY

Abstract

Mintel’s last report on the Designerwear Market was published in 2004. Then there were the first movements to the designer sector trading up to differentiate itself from the overall democratisation of luxury, and from mainstream interpretations. Mintel highlighted the emergence of Demi Couture.

Into 2005 and 2006, the factors influencing the designerwear market have been consumer confidence/disposable income levels; employment; fashion trends; the growth of other ‘luxury’ goods and experiences; and population age shifts with more older people but who think and act younger.

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